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LECTURA: "QUISIMOS TANTO A LYDIA"


El Teatro Casa Cruz de la Luna y OpArt (Organization of Puerto Rican Artists) le invitan a la lectura dramatizada de la obra
"Quisimos tanto a Lydia"
Comedia-esperpento en un acto.
Una pareja, Neno y Luisa, super-fanáticos faranduleros de la vieja televisión, intentan recrearse en la era de las computadoras a través de la famosa historia de un crimen. 
Texto de Aravind Enrique Adyanthaya con la participación de los actores de la Compañía de Casa Cruz de la Luna Christopher Cancel, Eva López, y Carlos Manuel Rivera.  Secuencias mediáticas de Milton Ramírez Malavé.
En el Centro Clemente Soto Vélez, Studio de OpArt, salón 309, 3er piso
Calle Suffolk 107, New York

domingo, 27 de noviembre, 7 P.M.

entrada libre de costo
lectura en español (con Spanglish)

THEATER FOR THE NEW CITY PRESENTS "LA MANO"


“LA MANO:  Tales of the End of the World” theatricalizes three short narratives dealing with apocalypse, chaos, babel, violence and beauty.  Set in a Caribbean island, the stories take magic realism to the limits of both, true life and hallucination.

 

Text and direction by Aravind Enrique Adyanthaya.  In collaboration with:  Alejandra Maldonado, Geoffrey Lasalle, Rafael Pagán, Christopher Cancel, Suácer Marmolejos and Milton Ramírez Malavé.

 

Shows:

Wednesday, August 31, 2011 / 7:00 P.M.

Thursday September 1, 2011 / 7:00 P.M.

Friday, September 2, 2011 / 7:00 P.M.

Saturday, September 3, 2011 / 2:00 P.M.

Sunday, September 4, 2011 / 7:00 P.M.

 

At Theatre for the New City, 155 1st Avenue, between East 9th and East 10th Streets, New York

 

A Casa Cruz de la Luna production for Theatre for the New City´s  Dream-Up Festival.  Tickets ($15) available soon at:

http://www.smarttix.com/show.aspx?showcode=LAM4


MORE:  Based on a new published narrative anthology by Aravind Enrique Adyanthaya, La Mano centers on three stories of quotidian horror.  In "Julia and the Jogger of Cemeteries," an eight-year old girl who fervently believes in the end of the world is confronted by a jogger who runs through cemeteries thinking that the tombstones are as infinite as the world itself.  In "Slaughterhouse," the encounter of a mature man with a much younger man who affirms that they had studied together in grade-school serves as a starting point for an exploration of memory as they walk through phantasmagorical towns on the island.  Finally, "Readings from the Apocalypse" meta-theatrically presents a stage director who feels the century has not yet ended and tries to use matter (animate and inanimate) to achieve a staging of the point after the end.

   
   
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